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     The work of sculpture, painting and installation will express a poetic anxiety related to the future of the human species, investigating; how climate change and technology affect spatial and social interactions; personal feelings and the perception of identity and time in relation to the use of new media.


     To achieve this goal, testing of various materials that relate to both the past and the future will come into contact within various 'clashes' of artificial and natural material / subject matter, in which the objects objective is subverted, by challenging their connections to their cultural, environmental and economic significance.


    Starting from methodologies and pedagogical strategies and constructive associations in these 'confrontations', I intend to deconstruct pre-conceptualized knowledge patterns that may lead to a clue on how to guarantee the cultural survival of human beings, without compromising their identity to the invisible structures that threaten the essence of freedom.